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Book of Lists 2003

December 15, 2003 | by PRWeek staff

PRWeek's editorial team looks back at some of the highs and lows of an eventful year in PR.

2003: The year in review

December 12, 2003 | by Joe Lepper

In politics, showbiz and the City, it's been an eventful year for PR. Joe Lepper looks back

Opening doors

December 08, 2003 | by Matthew Creamer

Matthew Creamer discovers that an emerging market offers many PR challenges - and opportunities.

CSR: The live debate

December 05, 2003 | by Alastair Ray

Altruistic policy or just a cover for corporate cock-ups? When PROs were asked for views on corporate social responsibility, they didn't hold back.

REGIONAL FOCUS: State of independents

December 01, 2003 | by Kimberly Krautter

Atlanta's recovery has been buoyed by a strong backbone of freelancers and independent counselors.

Even if all the stars come out, Britney's shines the brightest

December 01, 2003 | by Lawrence Mitchell Garrison

Monday, November 17 was one of the biggest days in California history. Journalists had gathered from around the world. Thousands of spectators had been lining up since early morning, hoping for a glimpse of the momentous occasion. A changing of the guard was about to occur, and the tension was palpable.

CRISIS MANAGEMENT: Ready For Action

November 28, 2003 | by Adam Hill

As industrial action and tabloid exposes dominate the headlines, how do organisations prepare for the worst before it happens, asks Adam Hill

Tech PR: the comeback kid

November 24, 2003 | by Andrew Gordon

Tech PR is making a return, though some say it never went away.

CORPORATE PUBLICATIONS: Creating content

November 21, 2003 | by Maja Pawinska

Maja Pawinska explores how PR practitioners are turning their hand to publishing

Shift of 'The Reagans' from CBS to Showtime brings TV's programming standards into question

November 17, 2003 | by Matthew Creamer

Of the many astounding revelations that came out of CBS' decision to drop its mini-series on Ronald and Nancy Reagan, one of the most befuddling was the logic behind the series' shift to Showtime, which, along with CBS, is part of Viacom's vast media holdings.